Max Pinckers - Margins of Excess
N.a.v. de tentoonstelling van Max Pinckers in het FOMU toont VRT de documentaire Max Pinckers - Margins of Excess. Bekijk hoe Pinckers doorheen de VS reist en onderzoek doet naar de vage grens tussen fictie en realiteit in de Amerikaanse media.
A Critique of Everyday Life
The photography of William Egglestone and Stephen Shore, part of the new color photography movement, is not often associated with ‘politics’, or utopian potentials. Young critic, Taylor Dorrell, thinks its worthwhile to reconsider this.
On Inge Meijer’s A Garden Revisioned
During a residency Dutch artist Inge Meijer came across a massive archive of pre-wedding photography at a bankrupt wedding hall in Gwangju, South Korea. Meijer started working on the archive, which resulted in her ongoing installation project
Vincen Beeckman about Le Fusée de la Motographie
The project 'Le Fusée de la Motographie' consists of more than 100 boxes. In each box you can find one or more photographs.
Butch, stud, tomboy en alles daartussen
Samen met Vice nodigt het FOMU vier vrouwen uit om het te hebben over mannelijkheid. Alle vier identificeren ze zich in meer of mindere mate met butchness.
Radical Futurism: Documentary's Chronopolitics
With her compelling contribution to Indigenous futurism, Thirza Jean Cuthand’s Reclamation, 2018, documents what’s to come.
Present at home | A virtual tour through the FOMU exhibition of Stephan Vanfleteren
eleef de expo 'Stephan Vanfleteren - Present' vanuit je zetel/keukenstoel/bed/bad/at home ...
Fruits Of Self-Care: Soft, Spoiled, Radical
Self-care is 'a bit of a catch-all term', thus opens writer and poet Anna Lounguine her essay on a concept that culturally speaking seems to have lost its ethical and political potentials.
Willy Kessels' Photography and the 1935 Brussels World's Fair
No other medium but photography would work for Willy Kessels (BE, 1898–1974) and define his entire philosophy, on which he imposed a new and recognizable trademark with superimpositions and photomontages.