The Kaiserpanorama - a remarkable item of the FOMU collection
The Kaiserpanorama is one of the most remarkable items of the FOMU collection. It is a "modern machine", intended to bring photography to a wide audience. 25 people can simultaneously sit around the Kaiserpanorama and view three-dimensional images.
Social Transformation through Photography: The Case of KENE
A practice of care for a neighbourhood and its inhabitants flourishes at KENE in Bamako, Mali, a permanent photography lab for young adults, a place for education, relations, care for the neighbour and its collective memory construction.
Re-Imagining Archival Evidence
In your imagination, what do you expect to see in a collection of photography from different scientific archives?
Present at home | A virtual tour through the FOMU exhibition of Stephan Vanfleteren
eleef de expo 'Stephan Vanfleteren - Present' vanuit je zetel/keukenstoel/bed/bad/at home ...
Max Pinckers - Margins of Excess
N.a.v. de tentoonstelling van Max Pinckers in het FOMU toont VRT de documentaire Max Pinckers - Margins of Excess. Bekijk hoe Pinckers doorheen de VS reist en onderzoek doet naar de vage grens tussen fictie en realiteit in de Amerikaanse media.
Vincen Beeckman about Le Fusée de la Motographie
The project 'Le Fusée de la Motographie' consists of more than 100 boxes. In each box you can find one or more photographs.
Willy Kessels' Photography and the 1935 Brussels World's Fair
No other medium but photography would work for Willy Kessels (BE, 1898–1974) and define his entire philosophy, on which he imposed a new and recognizable trademark with superimpositions and photomontages.
A Critique of Everyday Life
The photography of William Egglestone and Stephen Shore, part of the new color photography movement, is not often associated with ‘politics’, or utopian potentials. Young critic, Taylor Dorrell, thinks its worthwhile to reconsider this.
Radical Futurism: Documentary's Chronopolitics
With her compelling contribution to Indigenous futurism, Thirza Jean Cuthand’s Reclamation, 2018, documents what’s to come.